Scholarly Writing

Hall, M. & Rossmanith, K., 'Imposed Stories: Prisoner self-narratives in the criminal justice system', International Journal for Crime, Justice & Social Democracy, vol. 5 (1) 2016, pp. 38-51

Rossmanith, K., ‘Affect and the Judicial Assessment of Offenders: Feeling and Judging Remorse’Body & Society, vol. 21 (2), 2015, pp. 167-193

Rossmanith, K., ‘Getting Into the Box: Risky enactments of remorse in the courtroom’About Performance 12, 2014, pp. 7-26

Biber, K., Doyle, P., & Rossmanith, K. ‘Perving at Crime Scenes. Authenticity, Ethics, Aesthetics: A Conversation’, Griffith Law Review, vol 22 (3), 2014, pp. 808-814

Rossmanith, K., ‘Plots and Artefacts: Courts and criminal evidence in the production of True Crime writing’Australian Feminist Law Journal, vol 40 (1), 2014, pp. 97-111

Rossmanith, K., ‘The Magistrate and Mr. Moore: Storytelling, narrative forensics, and a judge's experience of sentencing’TEXT, Special Issue 18, October 2013, pp. 1-13

Rossmanith, K., ‘Being Croc-Savvy: Crocodile country, public education, and rescuing propositional knowledge’SCAN: Journal of Media Arts Culture Vol 11, No. 1, 2014

Rossmanith, K., ‘Spending Two Weeks Mucking Around: Discourse, practice and experience during version 1.0's devising process’Australasian Drama Studies, vol. 62, 2013, pp. 179-193

Rossmanith, K., ‘Learning the Lunge: Motility in crocodile country’About Performance, no. 11, 2012, pp. 105-118

Filmer, A. & Rossmanith, K., ‘Space and Actor Formation’Theatre Research International, vol. 36, no. 3, 2011, pp. 228-239

Rossmanith, K., ‘Making Theatre-Making: Fieldwork, rehearsal and performance preparation’Reconstruction: Studies in Contemporary Culture, vol. 9, no. 1, 2009

Rossmanith, K., ‘Review of Performance Histories, Bonnie Marranca (New York, PAJ Publications, 2008)’, Performance Paradigm vol. 5 (2), 2009

Rossmanith, K., ‘Traditions and training in rehearsal practice’Australasian Drama Studies (issue 53), 2008, pp.153-159

Rossmanith, K., ‘When the Grinding Starts: Negotiating touch in rehearsal’SCAN: Journal of Media Arts Culture, vol. 5, no. 3, 2008

Rossmanith, K., ‘We are cells: Bioart, semi-livings, and visceral threat’Performance Paradigm, no. 4, 2008, pp.1-18

Rossmanith, K., ‘Feeling the Right Impulse: Exploring the affective dimension of rehearsal practice’About Performance, no. 6, 2006, pp.75-92